Tell us a little about yourself & how you came to study Interior Design.

Embarking on my academic journey at the Edinburgh College of Art, I pursued an honours  degree in Interior Design, with a keen focus on sustainability, augmented realities, and the influence of globalisation on design. My time there laid the foundation for a deeper exploration of these themes, leading me to an enriching study experience at Hong Kong Polytechnic University. Here, I had the privilege of studying within the iconic Jockey Club Innovation Tower, an architectural marvel designed by Zaha Hadid. This experience broadened my horizons and sparked a growing interest in Urban Planning, particularly how urban design can shape contemporary life and influence political dynamics.

Upon graduating from the University of Edinburgh with First Class Honours, I was driven to further explore the theoretical aspects of design. This passion led me to pursue a master’s degree at the Glasgow School of Art, where my research delved into the profound impact of design on societal structures. My master's thesis and accompanying studio practice focused on the inequalities inherent in social housing, examining post-war architecture in urban environments. Through case studies, I explored how architectural design and urban planning can affect societal well-being and behaviour, particularly when social connectivity is hindered by structural barriers. My work in this area was recognised with a distinction, underscoring my commitment to using design as a tool for social change.

How would you summarise your design style?

My design approach is deeply rooted in the unique architectural and historical context of each project, allowing the original elements of a site to guide and inspire the creative process. I take pride in experimenting with materials, often repurposing them in unexpected ways to challenge conventional perceptions and create intriguing spaces. A core principle in my work is designing environments that are inclusive and comfortable for all. Recognising that sensory experiences vary widely, I strive to balance design elements to ensure that each space is accessible and welcoming to everyone.

Incorporating current trends while honouring traditional styles is another hallmark of my design philosophy. By blending the old with the new, I create interiors that are both timeless and contemporary, ensuring that the spaces I design remain stylish and relevant for years to come. This fusion of past and present allows me to craft environments that resonate with both history and modernity, providing a rich and enduring aesthetic.

What inspires you as a designer?

Street style and the ingenuity of ordinary people are among my greatest sources of inspiration. The creativity with which individuals repurpose everyday objects and reimagine their uses speaks to the endless possibilities in design. This ability to breathe new life into the familiar and see potential in the overlooked is something I strive to capture in my work, always seeking to blend the innovative with the accessible.

What would be your dream project?

As much as I would be entailed to say my dream project would be  a grand building with an unlimited budget, my actual ideal project  begins with a client who approaches the process with an open mind and a deep trust in my creative vision. The freedom to innovate and push boundaries is invaluable, allowing me to design spaces that are not only forward-thinking but also rich in bespoke details, where intricate joinery and custom elements give the project a distinct personality and identity.

I envision creating spaces that serve as communal hubs—places where people can connect, share ideas, and collaborate in an environment that enhances their daily lives. My goal is to design comforting, inspiring spaces that foster creativity and interaction, ideally within the rugged charm of a post-war Brutalist structure or a site imbued with the raw, authentic character of street style. These environments, with their history and texture, offer a unique canvas for crafting something truly transformative.

What’s your favourite place in London?

As a proud Scot, it might be tempting to say that the pub is my favourite place, but I can’t lean into that stereotype even if true – I can say that my favourite place is Dawson Heights by Kate Macintosh. It’s not just my biased admiration for a fellow Scottish architect that draws me to this structure, but the powerful presence it commands. Perched strategically atop a hill, Dawson Heights exudes strength and authority, its Brutalist form creating a striking contrast against the surrounding greenery.

What fascinates me most is how this building reveals itself from various angles across South London. Its Escher-like complexity lends it an almost utopian quality, surprising and captivating each time it comes into view. For me, Dawson Heights is a testament to what British architects can achieve when they embrace bold thinking and respond to the urgent need for housing in London. It’s more than just a striking piece of architecture; it tells a compelling story, which is precisely what I love about it.